top of page
  • rudyapffelmusic

Czerny Op 740 #33, 4 Versions

This is another of those graceful, tuneful studies that make me think of Czerny as the Bournonville of the piano. In keeping with his usual pedagogical practice, Czerny composes a fairly spare LH accompaniment which invites filling out. How you want to fill it out depends on how you want to project the music. I hear #33 as a sunny march, and as a march the music really does require Czerny’s tempo (dotted quarter @112), but there’s no need for the RH to be played in octaves.

The first 24 bars resolve into a one-pager, but as usual Czerny becomes more interesting past the first page so, if the RH challenge has been met, there’s every reason to work up the whole of #33 and get a number of short and long pieces into your repertory.

Op 740 #33, 1st Version: 6/8 march, 16 sets of 8

This is my performance of #33 with the RH simplified to single notes and the material shaped into regular 8-count phrases. I’m projecting it as a snappy 6/8 march with dottings, and I’ve elaborated Czerny’s LH to create contrast between the unfolding phrases. I supply a score. The LH chords starting at my m37 are of course rolled.

Op 740 #33, 2nd Version: extended 6/8 march, 30 sets of 8

This is my performance of my 1st Version of #33 extended for centre using most of Czerny’s material. I supply a score.

You can renotate and rebar any 6/8 to get a 3/4, whether by making each eighth a quarter or re-beaming the eighths in couplets. The main constraint is the shape of the melody and how easily it admits of the new accents. The RH of #33 readily resolves into 3/4 when the eighths are re-beamed as couplets, and Czerny’s material can readily be accented in three beats per bar.

Op 740 #33, 3rd Version: short, light mazurka, 8 sets of 8

This is my performance of #33 reshaped as a light mazurka, for which I provide a score. In this short arrangement I’m going for a light, delicate pointe character and using extreme registers of the piano for color.

Op 740 #33, 4th Version: extended quick mazurka, 30 sets of 8

This is my performance of my 3rd Version of #33 sped up and extended for a quick mazurka in the centre. I provide a score.

2 views0 comments

Recent Posts

See All

Czerny Op 740 #29, 3 Versions

I can almost reach Czerny’s tempo (using his fingering and keeping my RH fixed but relaxed in position close to the keyboard), but as is almost always the case with Czerny’s studies I get far more use

Czerny Op 740 #30, 3 Versions

My arrangements of #30 have the principle aim of shortening and simplifying Czerny’s study to make it more easily mastered, effective in ballet class, and, though “easy,” a useful technical exercise f

Czerny Op 740 #31: 5 Versions

This is one of those studies whose bottom-line recommendation is the workout for both hands and a regular phrase structure that makes for easy short-cutting. For me the note pattern itself lies gratef


bottom of page